Draw A Blank

Do you ever feel intimidated by the blank sheet in front of you?  Apparently, it’s quite a common to sit down with a white sheet of card in front of you and for your mind to go blank. I purchased a gel press plate to make backgrounds in the hope that they would provide some inspiration that would spark an idea.

These cards were for ladies in the Lavinia Birthdays group so they feature Lavinia Stamps.  I began with these two panels to create two cards. 

I wanted them each to have a moon and I hadn’t left space in the printing so had to create one. For the purple panel, I brushed on white pigment ink through a circular stencil, adding a little silver and some white gel pen. Using a landscape stencil, I added some distant hills and near ground and also blended some ink to darken the sky and make the moon more prominent.

After seeing a lovely card with a bokeh sky, I thought I’d give it a go using a few different colours.  I don’t think it worked because the moon should be bokeh-ed too.  Mr L said it looked like the place was surrounded by loads of planets and moons!  Anyway, it added some interest to the sky and luckily, it doesn’t have to be realistic.  A few Mystic Swirls were stamped in silver ink to add some magic to the scene.

To finish the scene, I used Seren, one of the foxes from Set 2, the Fairy Fir Tree and Mystic Swirl in Versafine Clair Nocturne.  Finally, a bit of sparkle using Wink of Stella and some Nuvo Drops and some white gel pen on the leading edge of the elements to give the impression of reflected moonlight.

For the blue one, I used Distress Oxide Weathered Wood, a pale grey, to create the moon.  As it wasn’t so bright, I stamped the Star Cluster with Versamark and white heat embossed the stars.

The card featured Seren, Wild Hares and the Thistle Branch and a couple of mini mushrooms.  The images were stamped and edges darkened with Versafine Clair Nocturne.  Finally, a bit of texture was added with the Feather Leaf stencil and some White Posca dots.  The Posca pen was also used to create the reflected moonlight on the figures.

Marvellous Metallics

Last week I used foil sheets and embossing folders to provide interesting focal panels.  This week, I’m still embossing but using metallic embossing powder and heat.  I love using the metallic powders on dark card stock, especially the heating part – watching the powder melt and transform from matt granules to glorious shine!  Line style stamps work best for this technique so I decided an outing for the floral elements of Tea Together was in order.

I began by generously applying the Embossing Buddy over my Basic Black card front to remove static and oils from my fingers which would attract the embossing powder.  Next, I random stamped the various images using Versamark, rotating them and stamping off the edge too.  I also stamped another small flower on a scrap of black card, the sentiment and the large rose onto the liner.  I then applied gold embossing powder to the stamping and heat set it.

For my mat layer, I didn’t have enough gold foil sheet so I manufactured a bit using embossing powder.  This is a handy tip to employ too if your embossing powder doesn’t quite match your foil sheets.  To do this, I simply pressed the edges of the card onto the Versamark pad and then applied the powder.  It wasn’t completely uniform, more of a ‘hammered’ finish but I liked it.  If you wanted it to be smooth, you can apply another layer over the top.

My sentiment was embossed onto velum, which is not very forgiving when it comes to adhesive as the adhesive shows through.  I applied a large blob that I knew would be covered by my small flower decal and some teeny tiny dots behind the letters.

The last stage was to add the liner to the inside and then assemble the layers and top it off with the flower decal on some foam dimensionals.

My second card used the same stamps on Basic Grey card and silver embossing powder.  For the mat layer, I used plain velum for an understated look.

The third card features Night of Navy card and copper embossing powder with a copper foil sheet mat layer.

My last card used Basic Grey and silver embossing powder and the small flower.  After heat setting the powder, I used the Chalk Marker to add three small lines to each petal for some added interest.  The background looked a little bare still so I also added little groups of three dots.  (I was introduced to the “power of the dot” when I did my cake decorating course in prep for making my wedding cake).  Small but very effective!

Four cards using the same stamps and technique but with quite different results!

 

 

 

 

 

Images © 2019 Stampin’ Up!

Embossed Snowflake Tree

My snowflake love affair continues this week with a Christmas tree made up of snowflakes.  How cool is that?!  I decided on heat embossing as this stamp lends itself very well to that technique and tried out gold, silver and white embossing powders on a Christmassy red background. I can’t even decide on a favourite – I love them all!

For this project I used:

11½” x 4⅛” Real Red card base, scored at 5¾”

5⅝” x 4” Whisper White mat layer

5½” x 3⅞” Real Red top layer

5½” x 3⅞” Whisper White card for the liner

Stampin’ Up! Snow Is Glistening stamp set

Stampin’ Up! Ink in Real Red

Versamark Ink

Embossing powder

Rhinestones

First, stamp the liner and envelope with the large snowflakes using Real Red ink and leave to dry.

Use the embossing buddy liberally all over the card top and then stamp the snowflake tree image and greeting using Versamark ink.  Fill in some of the gaps by stamping the large snowflake using Versamark.  Apply your preferred embossing powder and set with the heat gun.  Apply rhinestones to the centre of the large snowflakes.

Adhere the top layer onto the white mat layer and then stick this onto the card base.  Adhere the liner to the inside and you’re all finished.

Super quick and super classy!

 

 

 

Images © 2018 Stampin’ Up!