Left-Handed Crafting!

I’m happy to report that I’m out of the sling this week although nowhere near back to normal yet ☹ The few days in the sling allowed my muscles to calm down enough so that the weight of my arm was bearable again.  This week I’ve had some physio and acupuncture and I’ve got this really jazzy strapping helping me out.

However, I still can’t use my right hand for very long until my arm starts to hurt so I thought I’d challenge my left hand to some everyday tasks!  The first was writing.  Well, I struggled to even hold the pen to begin with! My pages of alphabet look like they were written by a 6-year old but at least they look like letters.  My blog posts and photo editing is also all being done left handed, albeit slowly, but I have learned some useful keyboard shortcuts.

So, then I turned my attention to crafting and what I could make that would be simple, forgiving and hopefully not too frustrating.  I had some 2” strips of card left over from another project that I’d saved for tags, so tags it was! My coordination with my left-hand, when operating solo, is a bit sketchy so I used my Stamparatus to help with the stamping.  The bare trees from Winter Woods were mounted on one side of the door and the greeting on the other.  I stamped them onto the lining paper so I could line up my tags with the images.

Using Versamark ink and clear embossing powder, I stamped and heat set the trees on each tag.  Then I cut a wavy edge to the top of a Post-it note for the mask and used the overhangs of the mask to hold the tag in position.  I used a sponge brayer to colour the sky.  The ink is applied so gradually, it’s a very forgiving method so handy for my non-dominant hand.

The embossing resists the ink and any residue was easily removed with a tissue.  To give more texture to the sky, I spritzed some water on and dabbed it off with a tissue.

Next, the door of the Stamparatus was turned over so I could stamp the greeting.  I then punched the tops with the Scalloped Tag Topper punch.

Since they were Christmas tags, I wanted a bit of sparkle so I put them into my ‘spraying box’ and sprayed with Champagne Shimmer Mist/isopropyl alcohol mix.

The last job was to attach some ribbon, for which I did have to bring my right hand out of retirement!  The whole project probably took me twice as long as usual but at least I was crafting.  It must have given my brain quite a workout too as I had to have a nap afterwards!

 

 

Images © 2019 Stampin’ Up!

Dearly Dashing Deer

Yes, I know it’s only August and your eyes are not deceiving you – this is a Christmas card! If you’re making all of your own cards for the festive season, it’s better to get started early rather than be frantically crafting in the middle of December to meet the Post Office’s last posting dates.  Ask me how I know this!

The Dashing Deer stamp set and matching Detailed Deer Thinlits are the perfect set for creating quick but stunning cards.  I really enjoyed getting busy with the glitter again too!!

The original

The first step was to stamp each of the deer using Night of Navy ink and cut them out with the matching dies.

I made a ‘snowbank’ by ripping a strip of Whisper White card and then ran a thin line of glue along the torn edge and applied glitter.  I stamped the greeting in navy on the bottom of the snowbank.

Next I embossed a piece of Smoky Slate using the Woodland embossing folder.  I glued right-hand half the snowbank to the background.

I wanted the solid deer to be in the background behind the snowbank, but I didn’t want the head of the one eating to disappear.  Attaching half the snowbank allowed me to glue the deer into the correct spot. Once they were in position, the remaining section of snowbank was stuck down.

Lastly, the background was adhered to a Night of Navy card base and the patterned deer, mounted on Dimensionals, was placed just above the greeting.  I love how the solid deer seems to be looking in awe the patterned guy – he is magnificent though!

The Same But Different

I was really pleased with how this card turned out so I thought I’d try recreating it in various other colour schemes and using slightly different backgrounds.  This is another one in the original style, this time using Rococo Rose, a rather non-traditional Christmas colour (unless you’re in Next! 😉).

Rococo Rose & Night of Navy

Vellum works really well in embossing folders so makes for great backgrounds. The challenge is getting it adhered successfully as the glue shows through.  You need to either have a pattern on it to glue behind or add a decorative element on top to cover the glue.

For the background for these two, I used some snowflake printed vellum that I’ve had in my stash for donkey’s years!  I put lots of glue behind the snow bank and deer and then tiny dots in the centre of the snowflakes, which wasn’t entirely successful but just about looks OK.

Seaside Spray & Mint Macaron

My next two feature my own printed vellum.  I used White Stazon ink and the tiny snowflakes from last year’s Snow is Glistening limited release set.  This vellum is thicker so the glue isn’t as obvious.

Pacific Point & Pretty Peacock

For the last pair, I eschewed the embossing folder and instead used the silver birch tree trunks stamp from Winter Woods.  When using this stamp, a deeper snow bank is required to cover up the bottom edge of the trunks as it looks a bit weird otherwise.  The card on the bottom has no separate snow bank: I just ran the glue along the bottom edge of the trunks and added glitter. It was more difficult to get the deer to be in the background with this one; I had to chop off their feet! 😮

Cherry Cobbler & Blackberry Bliss

I really like trying out these ‘same but different’ ideas.  Sometimes they work, sometimes not, but you can inadvertently discover a stunning combination when playing around like this.  I really like all of them and can’t choose a favourite.  Which one’s your favourite?

 

 

 

Images © 2019 Stampin’ Up!

Rainbow Butterfly Beauty

The Stampin’ Up! Butterfly Beauty die set has everything you need to cut out lots of butterflies.  I particularly like the two large dies that can be used individually or layered on top of each other.

I started by cutting out the two layers in Whisper White and Lovely Lipstick and stuck them together. 

To add further dimension and interest, I added Dimensionals on the back…

…and then mounted the whole thing on a Smoky Slate layer embossed with the Layered Leaves (retired) embossing folder and then onto a Basic Grey cardbase.

After making this card, I wondered how it would work making an inlaid butterfly, like I did previously with the retired (sniff!) dragonfly from the Detailed Dragonfly die set.  As you’ve probably realised about me by now, I like a bit of ink blending so I inked up a panel in a rainbow palette. 

Top tip for these dies: stick some double sided craft adhesive sheet on the back of your card before die cutting – it saves faffing about trying to apply glue to tiny pieces or thin strips of card.

Using Basic Black card, I cut out each of the two butterfly dies.  The first one, I used black for the back layer and cut the top butterfly layer from the rainbow panel.  I mounted this on a thick Whisper White cardbase that I had embossed with the planks embossing folder (also now retired!).

Then came to my butterfly rainbow jigsaw!  So, this turned out to be much more of a faff that I had anticipated….locating all those tiny pieces.

I stuck the black butterfly top layer onto a white mat and then inserted all the pieces into their matching holes.  This was then mounted on a Basic Black card base.  It was a very fiddly operation and, to be honest, I’m not sure I’d do another one.  However, the finished card looks super! 

 

 

 

Images ©2019 Stampin’ Up!

Waterfront Whiz

I’ve been meaning to have a go with the Waterfront stamp set for a while since it gives the illusion of a water-coloured image with just some simple stamping – handy for those of us (like me) that can’t paint for toffee!

There are some great images of mountains, land masses, water and trees which can be combined to create romantic, relaxing or vibrant scenes, depending on your chosen colour palette.

My first card was inspired by the beautiful weather we’ve had on the South coast of the UK the past few days.  All along the seafront where we live are loads of beach huts and there’s a cute little beach hut stamp in the set which I stamped in Pretty Peacock, Real Red and Mint Macaron for a fun look.

I went over the sea with clear Wink Of Stella to give that sparkle of the sun reflecting off the waves.  A Pretty Peacock layer on a Crushed Curry cardbase finishes the beachy, sunny card.

My second card was inspired by Amanda Bates from the Craft Spa and her ‘out of the frame’ style card.  I first stamped the mountains using Smoky Slate together with some Blackberry Bliss dabbed on with a sponge dauber.  I could have done with a paler purple, like Highland Heather, but I don’t have one so I had to think of another way to get the purpley hue.  The mountains in the background were stamped with 2nd and 3rd generation Smoky Slate.  I made a definite land mass by inking up half the land stamp along the edge of the Blackberry Bliss stamp pad, to give me a straight horizon.

I stamped the water and then filled in any gaps along the shoreline with some ink and the Wink of Stella brush.

The tree stamp is too large to use whole for this kind of scene so the trick is to just ink up the top sections of the trees.

I die cut the centre section of the scene using the Stitched Rectangles Framelits…

…and then cut the centre section down further to create a border within the stamped border.

I think it’s really cool that by using different colour palettes with the same stamp set can create a card with a completely different mood.

 

 

 

 

 

Images ©2019 Stampin’ Up!

 

 

Multi-Layered Stamping

When I first started card making, I was completely flummoxed as to how these kinds of cards were created!  Little did I know that it’s actually quite straight forward and just requires some precise cutting of layers but looks super impressive.

I started off cutting my layers, mats and card base as follows:

The next job is to use temporary adhesive to stack up the layers to be stamped.  I used a tiny bit of snail adhesive that I patted on my clothes a few times to reduce the stickiness as the layers will need to be taken apart again later without damaging them.

I stamped the greeting onto the front panel and then used an All Adorned stamp (from Sale-A-Bration) and Sahara Sand ink for background interest.  As I wanted a light background pattern, I used second generation stamping by stamping off first onto scrap paper and then stamping onto the card layer.  I found it necessary to press a little harder that usual to get down the ‘drops’ at the edge of the layers.  There was a slight break in the stamping but this would be covered by the mat layers so no need to panic!

The next step was to add the coloured focal element.  I used the rose from Forever Lovely and Lovely Lipstick ink.  Once this stage was complete, the layers were pulled apart again ready for mounting onto the mats.

A good point to remember is to ensure you don’t inadvertently turn a piece the wrong way up! The images should line up either side of the mat layers. I stuck the largest layer onto the card base, then mounted the top and second layers onto their respective mats.

The top piece was adhered to the centre of the second layer and I added a contrasting ribbon for some added interest.  This layer was then mounted onto the card base using dimensional foam pieces.

This card features the large rose from Frosted Bouquet and Bermuda Bay ink.

The card liner was also stamped with the same design for a coordinated look.

Another version of Frosted Bouquet and Lovely Lipstick on Smoky Slate.

 

 

 

 

Images © 2019 Stampin’ Up!