Z-fold cards are very cool! This card was demonstrated by Amanda from Inspiring Inkin’ during a recent team training video. I have made Z-cards before but I liked Amanda’s addition of the ‘foot’. This card also offers the opportunity to use up any odd bits of DSP.
Whilst the supplies list may seem extensive, once they’re all assembled, the card comes together really quickly. As well as a fab Christmas card, this can also be modified to include a gift card holder too.
I scored only the centre of the card base to begin and masked the back with a sticky note. Using the same ink as the card base, I randomly stamped the tree image. This process was repeated on the reverse side.
The tree image was also stamped on the card liner and envelope.
I heat embossed the tree and cut it out using the punch. The sentiment, from Itty Bitty Christmas, was stamped on the white circle.
Next, I added the second score line onto the front of the card, to form the Z-fold.
The tree was mounted onto the largest circle. It’s important to get it central so I used the grid paper to help with this.
I didn’t have any DSP to match the Seaside Spray card, so instead I stamped the group of small stars (So Many Stars) repeatedly on Layer 3. All the layers were assembled and the tree mounted in the centre. Again, I used the grid paper to ensure the tree was central.
The liner was stuck onto the inside of the card. The left-hand side of the layered piece was glued onto the front of the Z-fold. Once this was in place, the foot was assembled and glued onto the front, lining up the edge of the circle with the bottom and edge of the card base.
To convert to a gift card holder, I took a piece of card 2¾” x 4⅛” and punched a semi-circular thumb hole. Tear ’n’ tape was applied to the other three sides.
This piece was then stuck onto the reverse of the Z-fold to make the pocket for the gift card.
Brusho is a watercolour pigment which is supplied in small drums of crystalline powder. The powder is very vivid and a little goes a long way – often beyond your project and half way across your desk!! The powder can be mixed with water to use as a traditional watercolour medium or can be used with sprayers and brushes to create a unique mix of hues and patterns. This second use interested me for making backgrounds for my cards.
Warning! It’s quite a messy business. Cover your desk with some scrap paper and if you don’t want multi-coloured fingers for a few hours, wear gloves.
I had chosen mainly blues with a purple and black as I wanted to create night sky inspired works. The pots arrived and were identical in their anonymity! The colour names were written on the pots but I thought it would make life easier if the actual colours were displayed on the pots. I mixed up a tiny amount of each powder with a little cold water and painted a patch of each colour onto some sticky labels. When dry, I cut out a circle (my 1” punch is the perfect size for the pot lid) and a couple of small strips for the sides of the pot. I pushed a pin into each lid to make the pots into shakers to save taking the lids off each time.
I also cut out a smaller circle for my index card and also had a little calligraphy fun with this too.
Using shimmer paper (as I would be using a lot of water, watercolour paper would also work), I taped the pieces to a board to keep them flat. It was more successful than not taping – the pieces still buckled but not as much. For these four pieces, I either spritzed – powdered – spritzed or just powdered -spritzed. Here you can see
1. the powder on dry paper;
2. the crystals starting to burst when the water is applied;
3. the patterns changing as more water is added making more colour release. I used a mix of 3 or 4 colours on each piece.
When I was happy with the coverage and patterns, I left them overnight to dry. I’ll warn you – it’ll probably look a hot mess at this stage. The colours are lighter when they’re dry so wait until then before you decide whether to chuck it away!! You may be surprised…
Remember the Friendly Silhouette dies from a few weeks ago? I wanted to use these again but using white rather than black card and the dramatic backgrounds created using Brusho are perfect for this.
What’s lovely about Shimmer White card is that it has a light glittery effect which shines through the Brusho and adds a bit of interest to the sky.
I tried a sentiment in a smaller font on this card but it looked a bit lost so instead I decided to make the most of the dark background and heat emboss the sentiment there instead.
This panel looked more like a galaxy so I added the star flourish and the star cut outs from Stitched Stars dies (to be released in the 2019 Autumn/Winter Catalogue on 4th Sept). The coordinating So Many Stars stamp set has only Christmas sentiments so I used another star-themed one from my stash.
I had chosen these colours for making snowy night skies for Christmas cards and these two were made using only Prussian Blue. The top one was sprayed first then had crystals sprinkled on. The bottom one had crystals sprinkled onto dry paper and then brushed with a paintbrush and lots of clean water. A little mist of spray created the blue haze at the bottom. I heat embossed the trees from Waterfront and Snowfront (another A/W 2019 catalogue release) stamp sets and stars from So Many Stars using white embossing powder.
This card also featured only Prussian Blue. This time, I painted plenty of clean water where I wanted my sky and left the bottom white for the snow. I then sprikled the pigment onto the wet area. As the card bent with the added water, it allowed the paint to run and create that brilliant Northern Lights type of pattern. Bet I can’t recreate that!
As the paper got quite warped, I used wet glue to adhere the panel to the card base and placed it under a weight until dry. It emerged perfectly flat.
Here’s another galaxy style with a large cut out star with the new Mercury Acetate (A/W Catalogue) behind and some silver heat embossing.
Stampin’ Up! Have now released Pigment Sprinkles, their own version of Brusho in colours to match some of their card and inks. The colours are mainly pinks, oranges and greens so will give a completely different look. I think I’ll be purchasing some of those in the not too distant future!
p.s. You remember at the beginning how I said the crystals go a long way? This is what I cleaned off my desk afterwards despite having protective sheets of paper down…
Last week I used foil sheets and embossing folders to provide interesting focal panels. This week, I’m still embossing but using metallic embossing powder and heat. I love using the metallic powders on dark card stock, especially the heating part – watching the powder melt and transform from matt granules to glorious shine! Line style stamps work best for this technique so I decided an outing for the floral elements of Tea Together was in order.
I began by generously applying the Embossing Buddy over my Basic Black card front to remove static and oils from my fingers which would attract the embossing powder. Next, I random stamped the various images using Versamark, rotating them and stamping off the edge too. I also stamped another small flower on a scrap of black card, the sentiment and the large rose onto the liner. I then applied gold embossing powder to the stamping and heat set it.
For my mat layer, I didn’t have enough gold foil sheet so I manufactured a bit using embossing powder. This is a handy tip to employ too if your embossing powder doesn’t quite match your foil sheets. To do this, I simply pressed the edges of the card onto the Versamark pad and then applied the powder. It wasn’t completely uniform, more of a ‘hammered’ finish but I liked it. If you wanted it to be smooth, you can apply another layer over the top.
My sentiment was embossed onto velum, which is not very forgiving when it comes to adhesive as the adhesive shows through. I applied a large blob that I knew would be covered by my small flower decal and some teeny tiny dots behind the letters.
The last stage was to add the liner to the inside and then assemble the layers and top it off with the flower decal on some foam dimensionals.
My second card used the same stamps on Basic Grey card and silver embossing powder. For the mat layer, I used plain velum for an understated look.
The third card features Night of Navy card and copper embossing powder with a copper foil sheet mat layer.
My last card used Basic Grey and silver embossing powder and the small flower. After heat setting the powder, I used the Chalk Marker to add three small lines to each petal for some added interest. The background looked a little bare still so I also added little groups of three dots. (I was introduced to the “power of the dot” when I did my cake decorating course in prep for making my wedding cake). Small but very effective!
Four cards using the same stamps and technique but with quite different results!
Mr L and I recently returned from a fabulous holiday to Bangkok where I purchased this beautiful scarf. I had walked past it twice, admiring it from a distance, but on the third time I could resist no longer and bought it – because I loved it and you can never have too many scarves!
Something about the scarf made me wonder if I could recreate the colours and effects on the scarf for a card and the only way I could think to achieve this was to use the emboss-resist technique and some ink blending.
I began by doing some simple emboss-resist by repeat stamping images on white card using Versamark ink and then applying clear embossing powder.
Once heat set, I blended pastel inks over the card. The embossing powder ‘resists’ the ink so the card gets coloured and the images stay white although sometimes a quick wipe with a tissue is needed to clean off any ink from the embossed images.
Round one was a success so I decided to try for the recreation of the scarf. This required ink blending first and then stamping with Versamark and applying clear embossing powder once the ink was dry.
Once the embossing powder was heat set, I sponged black ink over the card, adding layers until I had the depth of colour I wanted. Again, a tissue was needed at the end just to remove any black ink residue from the embossed images. I tried both pastel and bright inks and I think the brights are more suited to this technique.
I’m quite happy with the brights background and I think it looks quite similar to the scarf so mission accomplished!
The pastel under black doesn’t have quite the same contrast but still looks pretty.
I thought the two white and pastel cards were suitable for Easter cards as, whilst they don’t have the standard bunnies/chicks/eggs design, they are quite spring like.
I think it’s important when you’ve spent time making the background for that to be the focal point of the card so I only added small greetings so that the background could still shine through. A lovely little sprig of blackthorn flowers helps set the scene.