It was Valentine’s Day on Friday and whilst we don’t buy big presents or go out and get fleeced for a distinctly average meal, I do enjoy making a card for Mr L. He generally gets his crafting on and asks for access to my craft room to make me a card too – which I LOVE! I don’t get many handmade cards. I’ve just got the This Little Piggy set and thought it would be perfect to use for my card using the mirror stamping technique. I wrote a blog post last March on how to do this technique, it’s linked at the end if you’d like a refresh.
To begin, I mirror stamped my pigs.
Next, I coloured them in using some alcohol markers and also drew in some more grass in the gap in the middle to unite the two images.
I then stamped the pig on the front and back of a post-it note and cut around them to create two masks. Note: The ink stamped on the adhesive on the back of the note stayed wet for a long time so I repeatedly pressed the adhesive part on scrap paper.
Using the bunch of hearts from Forever Lovely, I second generation stamped using Rococo Rose and Lovely Lipstick inks. I also stamped the trio of smaller hearts from the same set and then removed the masks.
I wanted a fun, pig-based sentiment for my card so I hand lettered one.
Lastly, I mounted the piece on Lovely Lipstick and Basic Black mat layers and then onto a Real Red cardbase. I finished by adding some epoxy heart droplets over some of the stamped hearts for some dimension and a couple of pink hearts to frame the sentiment.
I was first introduced to the Black Ice technique at Team Training back in January this year. One of the other demos, Stella, did a demonstration of this and I thought it looked quite intriguing. I made a note of it, thinking I’d try it out soon and then promptly forgot all about it!
Sadly, Stella passed away earlier this month but thinking of her reminded me that I hadn’t given the technique a go. I didn’t know Stella well but first met her a few years ago at a card making class and subsequently met her a few times at demonstrator events. She was always very friendly, so full of life and had a great sense of humour. She will be missed and I dedicate this post to her.
The technique was ‘invented’ by an American demonstrator called Melissa Kerman. She has lots of great videos on YouTube, not only on this technique but lots of other cool ideas too. Anyhow, here’s my first crafting journey onto Black Ice!
First of all, shiny card is needed for this technique: foil sheets are perfect. I used silver foil and Grapefruit Grove foil (from Sale-A-Bration earlier this year). I hadn’t used any of this foil as I had no idea what to do with I, it’s not really one of my colours. It seems it was crying out for this technique.
A sheet of scrap paper is needed to work on. I applied a small amount of temporary adhesive to the back of the foil piece and stuck it to the scrap paper. It is possible to do this without sticking the pieces down but it does make life easier. Using a black Stazon ink pad, I started off the edge of the card and lightly dragged the ink pad down the foil, pressing harder at the beginning and end to get a black edge. The aim is to get a streaked, antiqued kind of look. It took a couple of passes as the card was wider than the ink pad.
Next, again using black Stazon, I stamped my design. I used a selection of sets; Best Catch, Beautiful You and Lilypad Lake. My fisherman looked a bit lost, floating in mid-air so I masked him and stamped the water from Lilypad Lake, after wiping off some ink as the fisherman image is quite fine.
Once the ink was completely dry (if in doubt wait a bit longer or dry with a heat tool) it was time for stage 2. This time, I took a Versamark pad and using just the weight of the pad, dragged it down the foil piece in the same direction as the Stazon. Again, it took a couple of passes.
I then applied clear embossing powder and heat set it.
The aim is to get a streaky look with the embossing powder, looking like lines of ice crystals, hence the name! Here’s a close up once mine had been heat embossed.
I messed up the edge of this one as my temporary adhesive was rather more temporary than intended and came loose as I was applying the Stazon! This resulted in the two heavy lines of ink on the left, which isn’t a good look. I used an Inkylicious Picture Perfect stamp that I’ve had for years which has its own frame so at least the foil piece wasn’t wasted.
So, here are my finished cards. I didn’t do much with the backgrounds as I wanted the focal image to be the star of the show. (My photograpic prop this week is a kestrel feather. We are lucky enough to have kestrels nesting just down the lane each year and I found this feather on our driveway.)
Best Catch fisherman with the other fishing images stamped for the background and sentiment from the same set. I used Basic Black and Always Artichoke as I love khaki and have stacks of that card. It is retired now but Mossy Meadow is almost the same.
The yachts and water from Lilypad Lake with Pacific Point background embossed with retired Seaside embossing folder (there’s a High Seas folder now that would work for this theme).
The next two are my Beautiful You cards. As I wrote earlier, Grapefruit Grove is not my kind of colour scheme so I didn’t have any coordinating card stock for my card base. I found that the copper embossing powder worked well with the iced panel and Blackberry Bliss and Rich Razzleberry offered a good supporting role together with the Scripty embossing folder. The other card used some very old DSP that had a vaguely pinky-peach coloured design on it.
Lastly, here’s the ‘rescued’ panel. I used a strip from an iced panel that I completely messed up in place of ribbon under the sentiment.
I hope you’ll give this technique a go. It does involve a little trial and error but is great fun and gives stunning results.
The Stampin’ Up! Butterfly Beauty die set has everything you need to cut out lots of butterflies. I particularly like the two large dies that can be used individually or layered on top of each other.
I started by cutting out the two layers in Whisper White and Lovely Lipstick and stuck them together.
To add further dimension and interest, I added Dimensionals on the back…
…and then mounted the whole thing on a Smoky Slate layer embossed with the Layered Leaves (retired) embossing folder and then onto a Basic Grey cardbase.
After making this card, I wondered how it would work making an inlaid butterfly, like I did previously with the retired (sniff!) dragonfly from the Detailed Dragonfly die set. As you’ve probably realised about me by now, I like a bit of ink blending so I inked up a panel in a rainbow palette.
Top tip for these dies: stick some double sided craft adhesive sheet on the back of your card before die cutting – it saves faffing about trying to apply glue to tiny pieces or thin strips of card.
Using Basic Black card, I cut out each of the two butterfly dies. The first one, I used black for the back layer and cut the top butterfly layer from the rainbow panel. I mounted this on a thick Whisper White cardbase that I had embossed with the planks embossing folder (also now retired!).
Then came to my butterfly rainbow jigsaw! So, this turned out to be much more of a faff that I had anticipated….locating all those tiny pieces.
I stuck the black butterfly top layer onto a white mat and then inserted all the pieces into their matching holes. This was then mounted on a Basic Black card base. It was a very fiddly operation and, to be honest, I’m not sure I’d do another one. However, the finished card looks super!
Last week I used foil sheets and embossing folders to provide interesting focal panels. This week, I’m still embossing but using metallic embossing powder and heat. I love using the metallic powders on dark card stock, especially the heating part – watching the powder melt and transform from matt granules to glorious shine! Line style stamps work best for this technique so I decided an outing for the floral elements of Tea Together was in order.
I began by generously applying the Embossing Buddy over my Basic Black card front to remove static and oils from my fingers which would attract the embossing powder. Next, I random stamped the various images using Versamark, rotating them and stamping off the edge too. I also stamped another small flower on a scrap of black card, the sentiment and the large rose onto the liner. I then applied gold embossing powder to the stamping and heat set it.
For my mat layer, I didn’t have enough gold foil sheet so I manufactured a bit using embossing powder. This is a handy tip to employ too if your embossing powder doesn’t quite match your foil sheets. To do this, I simply pressed the edges of the card onto the Versamark pad and then applied the powder. It wasn’t completely uniform, more of a ‘hammered’ finish but I liked it. If you wanted it to be smooth, you can apply another layer over the top.
My sentiment was embossed onto velum, which is not very forgiving when it comes to adhesive as the adhesive shows through. I applied a large blob that I knew would be covered by my small flower decal and some teeny tiny dots behind the letters.
The last stage was to add the liner to the inside and then assemble the layers and top it off with the flower decal on some foam dimensionals.
My second card used the same stamps on Basic Grey card and silver embossing powder. For the mat layer, I used plain velum for an understated look.
The third card features Night of Navy card and copper embossing powder with a copper foil sheet mat layer.
My last card used Basic Grey and silver embossing powder and the small flower. After heat setting the powder, I used the Chalk Marker to add three small lines to each petal for some added interest. The background looked a little bare still so I also added little groups of three dots. (I was introduced to the “power of the dot” when I did my cake decorating course in prep for making my wedding cake). Small but very effective!
Four cards using the same stamps and technique but with quite different results!
This week’s post says goodbye to the Dragonfly Dreams stamps and matching Detailed Dragonflies as they are one of the many items that has not made the cut to be included in the new catalogue, launching on 4th June. I’m sad to see them go although they will not be leaving my personal collection any time soon as they are one of my most frequently used sets and are so versatile. I’ve made anniversary, birthday, sympathy and thank you cards and I’ve even been able to use them to make those tricky masculine cards too. The stamps have been used to make lovely wrapping paper using brown ink on brown parcel paper, topped off with a fabulous tag sporting a die cut dragonfly.
I saw the design for this card on Pinterest and thought it looked really stylish. The key to this is using foil card in embossing folders, it gives a really stunning effect. For this card, I used the copper foil card and the planks embossing folder.
The dragonfly topper was cut from black glitter paper. I’ve found a useful tip when using detailed dies like this is to use some waxed paper between the die and the card, it helps to release the card from the die.
I usually stamp the inside of the card and the envelope to coordinate with the card front but this time I used the embossing folder to decorate these elements.
The result is a simple but stylish card.
The different coloured foils really change the feel of the card. Lovely Lipstick foil, Layered Leaves embossing folder and silver glimmer paper make this card.
Silver foil paper and black glimmer paper feature on this card.