I am a big music fan, both playing it and listening to it. I believe my music playing has given rise to my very eclectic music tastes; from Beethoven to Bon Jovi! When I spotted the Music From The Heart set in the new mini-catalogue, it was a no-brainer to add it to my collection.
I wanted to make a card for my friend’s birthday. We met when in a choir so what better stamp set to use than a musical one?! I used Blushing Bride and Very Vanilla cardstock.
I randomly stamped the various musical notes and the treble clef using Blushing Bride ink and also heat embossed a few with copper embossing powder.
The musical symbols were also stamped onto the liner and envelope.
There’s a lovely Happy Birthday sentiment in the set which was mounted on a small piece of Copper Foil paper.
After making this ladies’ version of the card, I wanted to try out a colour scheme for a masculine version. Pretty Peacock and Old Olive, together with a bit of copper, fitted the bill perfectly.
I was first introduced to the Black Ice technique at Team Training back in January this year. One of the other demos, Stella, did a demonstration of this and I thought it looked quite intriguing. I made a note of it, thinking I’d try it out soon and then promptly forgot all about it!
Sadly, Stella passed away earlier this month but thinking of her reminded me that I hadn’t given the technique a go. I didn’t know Stella well but first met her a few years ago at a card making class and subsequently met her a few times at demonstrator events. She was always very friendly, so full of life and had a great sense of humour. She will be missed and I dedicate this post to her.
The technique was ‘invented’ by an American demonstrator called Melissa Kerman. She has lots of great videos on YouTube, not only on this technique but lots of other cool ideas too. Anyhow, here’s my first crafting journey onto Black Ice!
First of all, shiny card is needed for this technique: foil sheets are perfect. I used silver foil and Grapefruit Grove foil (from Sale-A-Bration earlier this year). I hadn’t used any of this foil as I had no idea what to do with I, it’s not really one of my colours. It seems it was crying out for this technique.
A sheet of scrap paper is needed to work on. I applied a small amount of temporary adhesive to the back of the foil piece and stuck it to the scrap paper. It is possible to do this without sticking the pieces down but it does make life easier. Using a black Stazon ink pad, I started off the edge of the card and lightly dragged the ink pad down the foil, pressing harder at the beginning and end to get a black edge. The aim is to get a streaked, antiqued kind of look. It took a couple of passes as the card was wider than the ink pad.
Next, again using black Stazon, I stamped my design. I used a selection of sets; Best Catch, Beautiful You and Lilypad Lake. My fisherman looked a bit lost, floating in mid-air so I masked him and stamped the water from Lilypad Lake, after wiping off some ink as the fisherman image is quite fine.
Once the ink was completely dry (if in doubt wait a bit longer or dry with a heat tool) it was time for stage 2. This time, I took a Versamark pad and using just the weight of the pad, dragged it down the foil piece in the same direction as the Stazon. Again, it took a couple of passes.
I then applied clear embossing powder and heat set it.
The aim is to get a streaky look with the embossing powder, looking like lines of ice crystals, hence the name! Here’s a close up once mine had been heat embossed.
I messed up the edge of this one as my temporary adhesive was rather more temporary than intended and came loose as I was applying the Stazon! This resulted in the two heavy lines of ink on the left, which isn’t a good look. I used an Inkylicious Picture Perfect stamp that I’ve had for years which has its own frame so at least the foil piece wasn’t wasted.
So, here are my finished cards. I didn’t do much with the backgrounds as I wanted the focal image to be the star of the show. (My photograpic prop this week is a kestrel feather. We are lucky enough to have kestrels nesting just down the lane each year and I found this feather on our driveway.)
Best Catch fisherman with the other fishing images stamped for the background and sentiment from the same set. I used Basic Black and Always Artichoke as I love khaki and have stacks of that card. It is retired now but Mossy Meadow is almost the same.
The yachts and water from Lilypad Lake with Pacific Point background embossed with retired Seaside embossing folder (there’s a High Seas folder now that would work for this theme).
The next two are my Beautiful You cards. As I wrote earlier, Grapefruit Grove is not my kind of colour scheme so I didn’t have any coordinating card stock for my card base. I found that the copper embossing powder worked well with the iced panel and Blackberry Bliss and Rich Razzleberry offered a good supporting role together with the Scripty embossing folder. The other card used some very old DSP that had a vaguely pinky-peach coloured design on it.
Lastly, here’s the ‘rescued’ panel. I used a strip from an iced panel that I completely messed up in place of ribbon under the sentiment.
I hope you’ll give this technique a go. It does involve a little trial and error but is great fun and gives stunning results.
Gift cards are a marvellous invention! They’re easy to post/transport and recipient gets to buy exactly what they want. Win, win! What they are not is very inspirational to look at. A lovely handmade gift card holder solves this problem. The beauty about these is that the theme can be changed to suit any occasion so are great for birthdays, Christmas, thank you, congratulations etc., the list goes on. Here’s how it’s done.
You will need:
4⅛” x 10½” card base, scored at 2¼” and 5”
3⅞” x 5¼” card liner
3⅞” x 2½” patterned paper/DSP/card
4¼” x 2¾” mat layer (same colour as card base)
4” x 2½” card front
At the end of the card base with the extra score line, mark the centre of the short edge of the card base and use a punch to cut out a semi-circle.
Apply Tear ‘n’ Tape along the top and bottom edges of the section with the punch out, just to the first score line. Remove the backing from the tape pieces, fold down and press the edges well. This makes the pocket for the gift card. Glue the patterned paper onto the front of the pocket.
Decorate the card inner and the card front piece. I used the grungy dots and sentiment from Beauty Abounds. I then embossed the card front using the Pinewood Planks embossing folder.
Glue the card front onto the mat layer. Apply glue to the left half only of the reverse side eand stick centrally onto the card base, over the patterned paper.
I was using up my freebie goodies from the Sale-A-Bration so used the butterfly punch to cut out butterflies from the DSP. To add some dimension, I folded the wings gently upwards either side of the body and glued just the body onto the card front. I added a single rhinestone onto the large butterfly for a little bling!
Now that’s way more exciting than the generic card you get with your gift card purchase!
Here’s a Christmas version I made using the Dashing Deer set, Birch background stamp and Woodland Embossing folder.
The Stampin’ Up! Butterfly Beauty die set has everything you need to cut out lots of butterflies. I particularly like the two large dies that can be used individually or layered on top of each other.
I started by cutting out the two layers in Whisper White and Lovely Lipstick and stuck them together.
To add further dimension and interest, I added Dimensionals on the back…
…and then mounted the whole thing on a Smoky Slate layer embossed with the Layered Leaves (retired) embossing folder and then onto a Basic Grey cardbase.
After making this card, I wondered how it would work making an inlaid butterfly, like I did previously with the retired (sniff!) dragonfly from the Detailed Dragonfly die set. As you’ve probably realised about me by now, I like a bit of ink blending so I inked up a panel in a rainbow palette.
Top tip for these dies: stick some double sided craft adhesive sheet on the back of your card before die cutting – it saves faffing about trying to apply glue to tiny pieces or thin strips of card.
Using Basic Black card, I cut out each of the two butterfly dies. The first one, I used black for the back layer and cut the top butterfly layer from the rainbow panel. I mounted this on a thick Whisper White cardbase that I had embossed with the planks embossing folder (also now retired!).
Then came to my butterfly rainbow jigsaw! So, this turned out to be much more of a faff that I had anticipated….locating all those tiny pieces.
I stuck the black butterfly top layer onto a white mat and then inserted all the pieces into their matching holes. This was then mounted on a Basic Black card base. It was a very fiddly operation and, to be honest, I’m not sure I’d do another one. However, the finished card looks super!
Having had fun doing the ink ‘smooshing’ technique for last week’s blog post, I thought I’d try my hand at some watercolour backgrounds this week, although I used calligraphy ink rather than watercolour paint. I’ve watched many, many YouTube tutorials on making water colour washes but it’s not quite as easy as it looks – well, not for me anyway! Using the Stampin’ Up! Thank You die, I wanted to use the positive and negative spaces of the background to make 2 cards, hence the 2-for-1 title. For an even speedier set of cards, use patterned paper instead of making a background.
I began by taking my piece of watercolour paper and wetting it thoroughly with clean water. I then painted stripes of pink and yellow ink and let them blend together. I then spritzed the piece with some Frost White Shimmer paint (mixed with isopropyl alcohol) for some shine, although the nozzle of the sprayer was a bit iffy so its more splotches than mist 😊
For my second sheet, I wet the paper and then just dropped in pools of blue, pink and yellow ink and sprayed with a little more water to get them to mix. Again, I spritzed (splotched!) Frost White Shimmer Paint on and then left to dry.
As the water colour paper got very wet, it was a bit crinkly when it dried but I was planning to run it through the Big Shot so that flattened it out a bit. I used the largest and third largest stitched rectangle dies to cut the background and a border and cut the Thank You from the central piece.
In the interests of using up as much of my inked background as possible and to give a co-ordinated look to the inside of the card, I cut the left over background ⅜” around the rectangular cut-out, cut this rectangle into 4 (2 tops and 2 sides) and then used these pieces to edge my card inner.
I adhered the negative piece onto my card base and then, whilst all the bits were still in the die, applied spray adhesive to the back and placed the die into the ‘hole’ on the card and pressed out the tiny pieces to make the words complete. This made card no.1.
Card no.2 was made by sticking the frame onto the card base and then adding the Thank You cut out to the centre.
These are the cards made with the second background using the same technique.
The sweet peas in the shot are called ‘Terry Wogan’ and are prolific flowerers. They’re providing me with many gloriously scented vases of flowers around the house at the moment!