Feels Like Frost

Frosted Foliage stamps and the Frosted Frames dies are part of the Feels Like Frost suite in this year’s Autumn/Winter catalogue.  The suite includes Seaside Spray metallic ribbon, chunky glitter and some gorgeous DSP.  I don’t often buy DSP as I never know what to do with it!  This DSP has such beautiful images so I thought I’d challenge myself to use some on a card.

The Frosted Frames don’t actually cut out any of the images from The Frosted Foliage set; they’re more complimentary than coordinating.

I used the large greeting from the set and also the ‘Seasons Greetings’ from So Many Stars.  The snowflakes and foliage stamps were repeat stamped to fill in the blank space surrounding the greetings.  I used silver embossing powder on Whisper White card and on vellum and used the smaller frame to cut them out.

I tried white embossing powder but wasn’t happy with the finish.  The colour was slightly off white and the images weren’t crisp.  I made it into a tag anyway with a Seaside Spray frame and metallic ribbon!

To add some extra interest without detracting from the DSP frame, I stamped the foliage and snowflakes with Versamark and applied clear embossing powder.  This gives a shiny, subtle background.

I cut out the fancy frame from one of the darker DSP sheets and mounted the vellum on top using tiny dots of glue behind the embossed areas so that the adhesive didn’t show through.

For my next card, I stamped the foliage and snowflakes in the same ink as the card base, Blackberry Bliss in this case.

The fancy frame was cut from Smoky Slate and I went over the edges with my Wink of Stella pen to get a sparkly, frosty look.

The last card was made the same way using Night of Navy and Seaside Spray.

 

 

Images © 2019 Stampin’ Up!

Botanical Bliss Tags

Still no real improvement in my arm this week so, yet again, no crafting but here’s a little project I did a few weeks ago. 

Romantic themes aren’t usually my crafting style but I seem to have inadvertently gone all romantic with these tags this week! The Botanical Bliss tags dies consist of 3 tag toppers, 2 edge cutters and a leafy branch.  There’s also a coordinating stamp set which has some useful sentiments.  I was immediately drawn to the birds, thinking they’d look great silhouetted against an inked sky.  However, since I’ve done a lot of silhouettes lately, I decided to challenge myself with the flower instead.

Rather than a straight forward strung tag, I wanted to try a folded tag.  The dies are designed to be used on 2” wide strips of card for tags or bookmarks.  As I wanted my card to fold, I needed the card to extend either side of the die so my card was 3” x 5½” in Bushing Bride.  I marked a pencil line at 2¾” and also marked the edges of the cutting lines on the die.  The lines on the die were lined up with the pencil line and the whole thing was run through the Big Shot.

I scored along the pencil line to the edge of the cut out and then erased the pencil line.

The card was then folded at the edges, making the cut area stand up.

I wanted the flower to stand out and also have a little more strength so I cut another flower from Very Vanilla.  The bottom edge of this flower was then cut out using one of the edge dies in the set.

My cutting plates had marked the card quite badly so I ran it through the Scripty EF before sticking the VV flower on the front.

I decorated the front with a sentiment, some hessian ribbon and a branch cut from gold glimmer paper.

This is how the back looks, with the cut out.  I used an old background stamp for the writing on the right-hand tag.  I think this one would make lovely place name settings for a wedding or party.  You could write guest’s menu choices on the inside.

For my second design with this flower die, I thought I’d just do a normal strung tag.  I cut the design out of a 2” strip of Crumb Cake card and then drew around the top on a piece of Very Vanilla and fussy cut the shape.  I marked in pencil where the edges of the flower and leaves were and added a little colour with sponge daubers.

The tag was finished by using the Scripty EF again, some gold branches and Old Olive ribbon.

Lastly, I wondered how the flower would look with inlaid pieces.  The flower was cut out of Blushing Bride, inlaid with Very Vanilla petals and Old Olive leaves and mounted on Crumb Cake folded tag base.  Gold branches and hessian ribbon complete the look.

So there you have it –  3 different looks from one die.  My next challenge will be to use this die to make some cards.  Watch this space!

 

Images © 2019 Stampin’ Up!

 

 

 

Ice, Ice Baby!

I was first introduced to the Black Ice technique at Team Training back in January this year.  One of the other demos, Stella, did a demonstration of this and I thought it looked quite intriguing.  I made a note of it, thinking I’d try it out soon and then promptly forgot all about it!

Sadly, Stella passed away earlier this month but thinking of her reminded me that I hadn’t given the technique a go.  I didn’t know Stella well but first met her a few years ago at a card making class and subsequently met her a few times at demonstrator events.  She was always very friendly, so full of life and had a great sense of humour.  She will be missed and I dedicate this post to her.

The technique was ‘invented’ by an American demonstrator called Melissa Kerman.  She has lots of great videos on YouTube, not only on this technique but lots of other cool ideas too.  Anyhow, here’s my first crafting journey onto Black Ice!

First of all, shiny card is needed for this technique: foil sheets are perfect.  I used silver foil and Grapefruit Grove foil (from Sale-A-Bration earlier this year).  I hadn’t used any of this foil as I had no idea what to do with I, it’s not really one of my colours.  It seems it was crying out for this technique.

A sheet of scrap paper is needed to work on.  I applied a small amount of temporary adhesive to the back of the foil piece and stuck it to the scrap paper. It is possible to do this without sticking the pieces down but it does make life easier.  Using a black Stazon ink pad, I started off the edge of the card and lightly dragged the ink pad down the foil, pressing harder at the beginning and end to get a black edge.  The aim is to get a streaked, antiqued kind of look.  It took a couple of passes as the card was wider than the ink pad.

Next, again using black Stazon, I stamped my design.  I used a selection of sets; Best Catch, Beautiful You and Lilypad Lake.  My fisherman looked a bit lost, floating in mid-air so I masked him and stamped the water from Lilypad Lake, after wiping off some ink as the fisherman image is quite fine.

Once the ink was completely dry (if in doubt wait a bit longer or dry with a heat tool) it was time for stage 2.  This time, I took a Versamark pad and using just the weight of the pad, dragged it down the foil piece in the same direction as the Stazon.  Again, it took a couple of passes.

I then applied clear embossing powder and heat set it.

The aim is to get a streaky look with the embossing powder, looking like lines of ice crystals, hence the name!  Here’s a close up once mine had been heat embossed.

I messed up the edge of this one as my temporary adhesive was rather more temporary than intended and came loose as I was applying the Stazon!  This resulted in the two heavy lines of ink on the left, which isn’t a good look.  I used an Inkylicious Picture Perfect stamp that I’ve had for years which has its own frame so at least the foil piece wasn’t wasted.

So, here are my finished cards.  I didn’t do much with the backgrounds as I wanted the focal image to be the star of the show.  (My photograpic prop this week is a kestrel feather.  We are lucky enough to have kestrels nesting just down the lane each year and I found this feather on our driveway.)

Best Catch fisherman with the other fishing images stamped for the background and sentiment from the same set. I used Basic Black and Always Artichoke as I love khaki and have stacks of that card.  It is retired now but Mossy Meadow is almost the same.

The yachts and water from Lilypad Lake with Pacific Point background embossed with retired Seaside embossing folder (there’s a High Seas folder now that would work for this theme).

The next two are my Beautiful You cards.  As I wrote earlier, Grapefruit Grove is not my kind of colour scheme so I didn’t have any coordinating card stock for my card base.  I found that the copper embossing powder worked well with the iced panel and Blackberry Bliss and Rich Razzleberry offered a good supporting role together with the Scripty embossing folder.  The other card used some very old DSP that had a vaguely pinky-peach coloured design on it.

Lastly, here’s the ‘rescued’ panel. I used a strip from an iced panel that I completely messed up in place of ribbon under the sentiment.

I hope you’ll give this technique a go.  It does involve a little trial and error but is great fun and gives stunning results.

 

Images © 2019 Stampin’ Up!

Multi-Layered Stamping

When I first started card making, I was completely flummoxed as to how these kinds of cards were created!  Little did I know that it’s actually quite straight forward and just requires some precise cutting of layers but looks super impressive.

I started off cutting my layers, mats and card base as follows:

The next job is to use temporary adhesive to stack up the layers to be stamped.  I used a tiny bit of snail adhesive that I patted on my clothes a few times to reduce the stickiness as the layers will need to be taken apart again later without damaging them.

I stamped the greeting onto the front panel and then used an All Adorned stamp (from Sale-A-Bration) and Sahara Sand ink for background interest.  As I wanted a light background pattern, I used second generation stamping by stamping off first onto scrap paper and then stamping onto the card layer.  I found it necessary to press a little harder that usual to get down the ‘drops’ at the edge of the layers.  There was a slight break in the stamping but this would be covered by the mat layers so no need to panic!

The next step was to add the coloured focal element.  I used the rose from Forever Lovely and Lovely Lipstick ink.  Once this stage was complete, the layers were pulled apart again ready for mounting onto the mats.

A good point to remember is to ensure you don’t inadvertently turn a piece the wrong way up! The images should line up either side of the mat layers. I stuck the largest layer onto the card base, then mounted the top and second layers onto their respective mats.

The top piece was adhered to the centre of the second layer and I added a contrasting ribbon for some added interest.  This layer was then mounted onto the card base using dimensional foam pieces.

This card features the large rose from Frosted Bouquet and Bermuda Bay ink.

The card liner was also stamped with the same design for a coordinated look.

Another version of Frosted Bouquet and Lovely Lipstick on Smoky Slate.

 

 

 

 

Images © 2019 Stampin’ Up!

 

Floating Frames

My cards this week use a technique called Floating Frames, which I saw on Jennifer McGuire’s YouTube channel.  She is a very talented crafter and makes everything look so effortless!  The technique uses lots of die cuts mounted on foam adhesive to create a frame which looks like it is floating above the card.  It has the added bonus in that the process also creates a decorative panel for another card – two for the price of one!

I used the large rose and thistle images from Frosted Florals and their matching thinlits to create my die cuts, using Lovely Lipstick and Mint Macaron inks.

The next step was to position these die cuts over a piece of scrap card cut to the size of my required frame and then covered with a layer of GLAD Press’n Seal (available from Amazon).  This holds the pieces in place by temporarily adhering them to the scrap card.

I then cut around the scrap card to create the outside of the frame and then positioned the die to cut out the shape. I used a heart but any shape will work.

This creates the frame and the decorative panel.

The next step was to remove the backing card and add foam adhesive to support the pieces.  I had thought that this job was quite labour intensive, however this paled into insignificance when it came to taking the backing pieces off, which took an absolute ETERNITY!!!!

What I did discover was that the piece is quite unstable once the card is removed!  It’s almost impossible to lift into position as the film is flimsy and the sticky bits try to stick to each other.  I don’t recall Jennifer having this trouble!!  Anyhow, I got around it by lining up the pieces face down on my grid paper and then placing the card on top.

The final part is to remove the Press’n Seal.  This had to be done slowly as it was quite sticky and the film did leave a tacky residue so I dabbed over the pieces with my Embossing Buddy.

So here are the finished pieces.  On the frame, I added some rhinestones in the gaps and a Happy Anniversary sentiment.

For the second card, I added pearl accents into the gaps and left it blank to add an appropriate sentiment at a later date.

 

 

 

 

 

 

Images © 2019 Stampin’ Up!